Iconoclstic Immunity : Reformed / Orthodox Convergence in Theological Aesthetics in theodore of Studios  

Oleh:

Milliner, Matthew J.

Jenis: Article from Journal - ilmiah internasional
Dalam koleksi: Theology Today vol. 62 no. 4 (Jan. 2006), page 501.
Topik: theodore of studios; theological aesthetics; reformed / orthodox convergence; iconoclastic immunity

Ketersediaan

Perpustakaan Pusat (Semanggi) Nomor Panggil: TT29.1 Non-tandon: 1 (dapat dipinjam: 0) Tandon: tidak ada

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Isi artikel

There were two major waves of Byzantine iconoclasm an outbreak that led to empress Irene's Nicca II in 787 and one that led to empress theodora's triumph of orthodoxy in 854. This essay shows that whereas the initial theological defense of icons formulated by john of Damascus in response to the first wave of iconoclasm clearly falls within the scope of John Calvin;s censure of images, the more sophisticated theological defense of icons formulated by Theodore of Studios against the second wave clearly does not thus opening the possibility of a reformed appropriation of images, properly understood for worship or personal devotion.

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