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Famous last words changes in gender and narrative closure
Bibliografi
Author:
Booth, Alison
Topik:
AMERICAN FICTION - WOMEN AUTHORS - HISTORY AND CRITICISM
;
ENGLISH FICTION - WOMEN AUTHORS - HISTORY AND CRITICISM
;
FEMINIST AND LITERATURE - GREAT BRITAIN - HISTORY
Bahasa:
(EN )
ISBN:
0-8139-1437-X
Penerbit:
University Press of Virginia
Tempat Terbit:
London
Tahun Terbit:
1993
Jenis:
Books
Ketersediaan
Perpustakaan PKBB
Nomor Panggil:
823.009352042 BOO f
Non-tandon:
1 (dapat dipinjam: 1)
Tandon:
tidak ada
Reserve
Lihat Detail Induk
Artikel dalam koleksi ini
Introduction: The Sense of Few Endings
, halaman 1-34
Clytemnestra Rewarded: The Double Conclusion of Vanity Fair
, halaman 35-61
Aurora Leigh: Epic Solutions to Novel Ends
, halaman 62-85
"Reader, my story ends with freedom": Harriet Jacobs's Incidents in the Life of a Slave Girl
, halaman 86-109
The Silence of Great Men: Statuesque Femininity and the Ending of Romola
, halaman 110-134
"Speaking like a woman": How to Have the Last Word on Sylvia's Lovers
, halaman 135-153
George Eliot's Sacred Chest of Language
, halaman 154-176
Unsettled Frontiers: Race, History, and Romance in Pauline Hopkins's Contending Forces
, halaman 177-198
Object Lessons: Reading the Museum in the Golden Bowl
, halaman 199-229
"The word which made all clear": The Silent Close of the House of Mirth
, halaman 230-258
Toward a Redefinition of "Experimental Writing": Netta Syrett's Realism, 1908-12
, halaman 259-279
Reading the Endings in Katherine Anne Porter's "Old Mortality"
, halaman 280-299
Burning Down the House: The Revisionary Paradigm of Jean Rhys's Wide Sargasso Sea
, halaman 300-325
"Reader, I blew him away": Convention and Transgressin in Sue Grafton
, halaman 326-346
Afterword: Endings as Beginnings
, halaman 347-370
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