Detail Projections of an/Other Space: The Cities of Three Contemporary Southeast Asian Cinemas—The Philippines, Indonesia and Thailand   Oleh:  Salazar, Joseph T. Jenis: Article from Books Dalam koleksi: Are We Up to the Challenge?: Current Crises and the Asian Intellectual COmmunity (The Work of the 2005/2006 API Fellows, page 175-184. Topik: Art in a Borderless World; Global Locus; Thai Cinema; Philippine Cinema; Indonesian Cinema Ketersediaan Perpustakaan PKPM Nomor Panggil: 342.7 ARE Non-tandon: 1 (dapat dipinjam: 1) Tandon: tidak ada    Reserve Lihat Detail Induk Isi artikel The attempt of Third World countries to define their national cinemas demonstrates the unconscious consequences of unifying international practices and the compromises made by different societies and cultures to accommodate the power implied by the infinite networks and systems in which they take place. Film’s reconstruction of urban space as the center of national affairs is one manifestation of the very function of accommodating power defined and determined at a global scale. Even if cinema is often regarded as a low form of mass entertainment in Southeast Asia, its practice as an economic, social and cultural device has always been at the heart of many countries in the region. State censorship and the freedom of expression, the success of a local film abroad, the imminent extinction of local filmmaking because of Hollywood, and other issues affecting filmmaking and its exhibition have all made their mark on the collective life of the region’s nations. Films in Southeast Asia have also codified the very structure of how audiences understand their realities. Opini Anda Klik untuk menuliskan opini Anda tentang koleksi ini! Kembali

Copyright © 2006, 2007 Unika Atma Jaya, all rights reserved