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Japan's Citizen Kane; Matsutaro Shoriki
Oleh:
[s.n]
Jenis:
Article from Bulletin/Magazine
Dalam koleksi:
The Economist (http://search.proquest.com/) vol. 405 no. 8816 (Dec. 2012)
,
page 41-43.
Topik:
Japan's Media Mogul
;
Newspaper Industry
;
Legacy
Ketersediaan
Perpustakaan Pusat (Semanggi)
Nomor Panggil:
EE29.75
Non-tandon:
1 (dapat dipinjam: 0)
Tandon:
tidak ada
Lihat Detail Induk
Isi artikel
A media mogul whose extraordinary life still shapes his country, for good and ill. The Economist's office in Tokyo is in the headquarters of the Yomiuri Shimbun, the world's biggest-selling newspaper. Every day, as you walk past bowing guards and immaculate receptionists, set back in a corner you pass a bronze statue of an owlish man with a bald head and thick, round-rimmed glasses, poring over a paper. He is Matsutaro Shoriki (pictured), who acquired the paper in its left-wing adolescence in the 1920s, and turned it into a scrappy, sensational pugilist for right-wing politics. The statue is not flattering: with his potato-like head and beakish nose, he seems to be pecking at the newspaper rather than reading it. Shoriki lurks in the background of much of 20th-century Japan, too. He created so much of what defines the nation today that it is a wonder he is not as well known as, say, William Randolph Hearst (one of his big Western admirers) is in America. Shoriki was as much the pugnacious, brooding, manipulative and visionary "Citizen Kane" as Hearst.
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