Perubahan Tari Radap Rahayu Sebagai Sarana Ritual Menjadi Sarana Pertunjukan Hiburan Di Banjarmasin Kalimantan Selatan.  

Oleh:

Nugraheni, Edlin Yanuar

Jenis: Article from Journal - ilmiah nasional
Dalam koleksi: Kalimantan Scientiae: Sosial Dan Humaniora vol. 28 no. 75 (Apr. 2010), page 55-67.
Topik: Dance Radap Rahayu; Changes; Banjarmasin

Ketersediaan

Perpustakaan PKPM Nomor Panggil: K36 Non-tandon: 1 (dapat dipinjam: 0) Tandon: tidak ada

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Changes in the form of dance performance as a means Radap Rahayu Tapung Tawar Ceremony in the context of a form of dance entertainment. Changes in shape, can be seen on the element of movement, music, fashion and make-up. Radap Rahayu dance forms as a means of Fresh Tapung Tawar ceremony amounted to 11 range of motion, the opening song were sung prior to compulsory dance show Radap Rahayu. Music player five people. Floor pattern in front of dancers who Tapung Tawar offered. Radap Rahayu dance forms as a means of song, the amount depending on the creativity of music players, and adjusted to the demand pattern of the floor. The alteration of fungsion, form and is caused by internal and external factors. The internal factors made by the artist (Banjar Tribal Socienties), while external factors are changes that are influenced by the Islamic religion, technology, and government (Taman Budaya). The series contained in the range of motion of dancers-dance variety in it like Limbai Kisar, duduk dungkul persembahan, lontang, kangkung limbai, tarbang, lagurih, and tapung bali. Rhythm solemn, majestic, and resigned causing aesthetic taste of a dancer, and floor patterns. Kite Clothing and tapih motive Banjar, banjar is an ethnic peculiarity which is retained by the people of Banjar in dance costumes Radap Rahayu. Banjar typical music as a dance accompanist Radap Rahayu, including; baboons, panting, flute, Gong, Rebana, and added a violin as the sound reinforcement hoops.

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