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BukuUnderstanding cinema: a psychological theory of moving imagery
Bibliografi
Author: Persson, Per-Edvin
Topik: Batala; eyeline matches; diegetic; deictic; vaudeville; Seven Samurai; Die Hard; diegesis; spectator; Folk Psychology; POV editing; intertitles; proxemic; intentional stance; voyeurism; Montargis; POV inference; deictic-gaze; causality; personal space
Bahasa: (EN )    
Penerbit: Cambridge University Press     Tempat Terbit: New York    Tahun Terbit: 2003    
Jenis: Books - E-Book
Fulltext: Understanding Cinema - A Psychological Theory of Moving Imag.pdf (10.91MB; 11 download)
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    • Nomor Panggil: 791.4301921 PER u
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Abstract
Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson asserts that spectators interpret, feel or make use of knowledge, assumptions, expectations and prejudices when viewing film. Persson explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. Utilizing examples from early and contemporary cinema, the book also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.
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