Die Ubersetzung als Inszenierung: Ein Interdisziplinarer Rahmen Zur Analyses Von Opernubersetzung  

Oleh:

Kaindl, Klaus

Jenis: Article from Journal - ilmiah internasional
Dalam koleksi: Target: International Journal of Translation Studies vol. 9 no. 2 (1997), page 271-288.

Ketersediaan

Perpustakaan PKBB Nomor Panggil: 405/TAR/9 Non-tandon: tidak ada Tandon: 1

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Isi artikel

Previous work on opera translation has tended to focus on the practical difficulties of rendering a verbal text embedded in a musical score. Where issues of theoretical significance are raised, authors usually do not go beyond the prescriptive formulation of dos and don'ts. Based on a classification of the various types of opera translation this paper outlines a theoretical framework of analysis based on the systematic investigation of the pragmatics of operatic production. Adopting a necessarily interdisciplinary approach, the author first explores the relationship between semiotics and translation studies. Then the semiotics of drama as modeled by Fischer-Lichte, who views operatic performance as text, is linked up with Holz-Miinttiiri's action-theoretical model of translation so as to account for all the various translation-relevant stages and agents of operatic productions.

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